Carnage
Carnage
After two boys duke it out on a playground, the parents of the “victim” invite the parents of the “bully” over to work out their issues. A polite discussion of childrearing soon escalates into verbal warfare, with all four parents revealing their true colors. None of them will escape the carnage. Directed by Roman Polanski and starring Kate Winslet, Jodie Foster, John C. Reilly and Christoph Waltz.As a director, Roman Polanski has always had a genius for finding the divide between civility and blunt self-interest, and then merrily Evel Knieveling over it. (John Huston’s line in Chinatown about people being capable of anything at any given time says it all, really.) Carnage, Polanski’s follow-up to the genially wicked Ghost Writer, can’t ent
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So typical of parents,
This was a great and fun/funny film. A drama where two kids parents meet at ones apartment to decide “how to handle” the situation where one of the boys hit another boy with a stick, knocking out teeth. Who’s fault was it? Who should apologize to whom? Should the parents get involved? Should they also take responsibility for their kids aggression and the others timidness? We learn the issue of aggression and short comings might be more so with the parents, than with the kids. And that poor hamster? A film by Roman Polanski, more so a short dinner theater type play brought to film. The shortest film I’ve seen in a theater. 1 hr 15 min. But great stars, fun plot. Things go from simple casual attempt(s) between two sets of parents with coming to an agreement concerning responsibility for their kids actions, to the parents engaged in something close to total WWIII. With a little apple cobbler tossed in (and up) along with way, plus way too many social cocktails in the mix. And a busy cell phone adding to the never ending comedy-drama.
With stars this wonderful, this film is a must see hit. And again… that poor hamster.
There are great court room dramas that keep you engaged. This is not a court room drama, but equal to such as a social drama between agreeing/disagreeing, then agreeing then back to disagreeing sets of parents.
With everyone carrying, then unloading, a lot of psychological baggage.
And YOU are the fly on the wall.
Great! Very fun! Interesting! Too short. I wanted more, a lot more. But what Roman Polanski gives us is totally worth experiencing.
Great directing mixed with great actors/acting really does make the difference.
NOTE: And just who was that peeking out the next door apartment at all the ruckus going on in the hall way? Could it have been by chance a VERY FAMOUS DIRECTOR’s face????
And no… it wasn’t Alfred Hitchcock. lol
What a good film. What good acting. Great stars. Great director. Great directing. But I’d totally skip the cobbler…
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|“You Murdered A Hamster”!!!,
“Carnage” opens like the play it is adapted from and directed by Roman Polanski. Penelope Longstreet (Jodie Foster) with husband Michael (John C. Reilly) invite the Cowans to their apartment, Nancy (Kate Winslet) along with totally work absorbed husband Christophe Waltz.
The Longstreets feel it necessary to discuss the reason why their “victim” son was struck by the “maniac brutalizer” Cowan’s son. Michael would simply appreciate an apology from their son while Penelope seems to have her own agenda.
Penelope and Nancy have a tremendous amount of tension between them which is palpable from the onset, while Michael appears personable, overly generous and friendly at first. Mr. Cowan is on the cell phone constantly as a pharmacuetical lawyer and much more absent in the genesis of the conversation.
The ‘go around’ all plays out in the livingroom as you can feel the air suck right out of the room. It becomes almost claustrophobic in feel as the couples begin talking, accusing, and definitely getting far off the topic of their sons.
In the obvious stress inducing situation, especially for Nancy and then Penelope, topics and situations get verbally and emotionally out of hand and control. The discussing of the children quickly is set aside as marital issues insidiously invade the conversing. More like spoutings off!
The husbands slowly get involved by first defending their wives, arguing with each other and challenging each other. Then the “Scotch” comes on the scene, as the husbands decide it would be a great time to take a vintage bottle out for a ride. Nancy demands a drink of her own, while defending Penelope and having reluctant Michael pour her some also.
Alliances are formed and broken then reattached almost as fast as the gun-shot, rapid fire dialogue. The words are shot between them as bullets from a gun and land as caustically. The husbands start to turn on their wives while getting pretty frustrated, “you think too much…women think too much” and “Yes, I feel like being completely despicable”.
The talking and commenting becomes totally ludicrous in the smack down. All four actors are at the top of their game in this one: tightly wound, inflammatory, tense and hilarious–one topic flying into another topic, and back again.
At the very end of the film before the credits roll, I saw one of the best ending scenes so far, for tying up loose ends and a good shot in the arm of laughter.
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|Another Roman Polanski gem,
So what happens in NYC when parents of two boys decide to have a private meeting in order to resolve a conflict between their children? Meet two couples, who are equally concerned about well being of their 11 year old sons. Two boys got into a fight and the fight got physical. Before long, one boy is grounded and another one nearly looses his tooth. Surely, these young people need to be punished and thought a lesson; so – their parents decide to meet and assess what to do next.
The entire movie is entirely set in a NYC apartment of one of the couples. It starts as civil and cordial meeting between two pairs of concerned parents and turns into, well – carnage. In nearly two hours, we see these four people fighting it out with each other in words. It starts as one pair of parents against the other, but then lines become blurry as aliences between them start to shift. Every now and then, pairs would re-group, but then things would fall into a chaos again. It is witty, contemporary story about modern life, alienation between people, parents and their children; greed, glutony, assessment of our priorities and purpose in middle life. Great cast of actors, wonderful verbal duels. I truly enjoyed this movie. I always loved Roman Polanski’s movies and this one adds to the wonderful collection of his already prized work.
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