The Soulful Divas: Personal Portraits of over a dozen divine divas from Nina Simone, Aretha Franklin, & Diana Ross, to Patti LaBelle, Whitney Houston, & Janet Jackson
The Soulful Divas: Personal Portraits of over a dozen divine divas from Nina Simone, Aretha Franklin, & Diana Ross, to Patti LaBelle, Whitney Houston, & Janet Jackson
Personal portraits of over a dozen divine divas, from Nina Simone, Aretha Franklin, and Diana Ross to Patti LaBelle, Anita Baker, and Natalie Cole. 40 illustrations.David Nathan’s life changed as an English teenager in the ’60s. The agent of that shift? Records by black American singers such as Aretha Franklin, Dionne Warwick, and Nina Simone. Soon he was the head of Simone’s British fan club, and in short order, became a journalist with growing access to his heroines. Over the ensuing years, Amazon.com and Billboard contributor Nathan has had Franklin bake him a peach cobbler, stood under the thrown shade of everyone from Esther Phillips to Anita Baker, and even had Miss Ross ask him to call her “Diana.” The Soulful Divas ca
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Mildly Entertaining,
It is obvious that David Nathan truly idolizes his subjects which probably accounts for the calculated design at the end of each chapter to make sure in no uncertain terms that he has shown that subject in her best light. I can certainly empathize because many of the divas profiled are true favorites of mine. That said, soul diva aficionados will readily recognize this as a collection of all-too-familiar press clippings even the most casual follower has at least heard of. To his credit, it is indeed refreshing to hear about lesser publicized divas like Esther Phillips, Millie Jackson, Nina Simone, Doris Troy or Phylllis Hyman. And ultimately, the final chapter sketching younger divas appeared entirely too hastily thrown together with the end result being little more than an unsatisfying epilogue.
Quite honestly, if you are in to black female vocalists, this, of course, was an easy, flattering read. However, the finished product is little more than an indulgent scrapbook by a journalist who, apparently, could have shed infinitely more light on the personalities he featured, but declined or refused out of either fierce loyalty or abject fear. Not only do the subjects deserve more than this, but so does the author.
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|Entertaining, but unsatisfying look at some of soul’s greats,
I wanted to love this book…after all, the music world is filled with legendary anecdotes of some of the women profiled by Mr. Nathans (Diana’s attitudes, Chaka’s seductive powers, Natalie’s substance abuse history), and together these women could make a CD that you’d drop in the player on Sunday, and still be singing along with come payday.
Unfortunately, the profiles are more cotton candy than ham hocks. Most of these ladies would deserve (and have allready written, or have had written about them) entire tomes which still leave out juicy details. The section on Phyliss Hyman, a masterful, yet tragic soulstress, leaves the reader starved for more of a history. The Patti LaBelle pages ignore key sections of her (and her bandmates) historic segue from a “girl group” to the infamous glitter sisters known as LaBelle.
There are some excellent photos in this book, and some interesting stories about the profiled women, but most of the details have been previously discussed by the singers themselves.
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|Enjoyable to read but ultimately less than satisfying,
With Soulful Divas, David Nathan – a true lover of r&B music – has compiled interviews with many of his favorite singers of the past 40 years. Some of the subjects, like that of the humorously raunchy Millie Jackson and the troubled Nina Simone, make for compelling reading. Most suffer from his endless fawning however. Take, for instance, Diana Ross. By all other accounts, Miss Ross is a difficult person, yet Nathan makes her out to be practically a saint.
Nathan’s frequent access to all of the top divas exposes the modern journalist’s dilemma: if he fully captures his subjects in print, warts and all, he risks alienating them and being denied interview access to them in the future. Instead, Nathan fawns all over his subjects and gets repeat interviews with high-profile women who are often leery of the press (Aretha Franklin for one). Because of his “tactics”, we are able to enjoy his many interviews in one setting (this book). Too bad most of his portraits don’t penetrate the surface.
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